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Offline C4AJoh  
#1 Posted : 11 October 2014 22:01:00(UTC)
C4AJoh
Rank: Advanced Member

Groups: Moderators, Registered
Joined: 18/05/2009(UTC)
Posts: 13,283
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Birth Name: Brandon Caulfield
Born: February 12, 1987
Origin: Seattle, Washington
Residence: Los Angeles, California
Genres: alternative rock, alt-country, americana, folk, rock
Occupations: musician, singer-songwriter, producer
Instruments: vocals, guitar, piano, keyboards, bass, drums, harmonica
Years Active: 2010 - present
Labels: Cosmic Records (2010 - 2011), Chaos Records (2011 - 2013), Ocean Records (2013 - 2014)
Associated Acts: The Bards, Hannah Beth, Cristina Lake, Ellie-Grace Summers, Johnny McDougall, Sarah Jade Harrison, JR Rhythm



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Born Brandon Caulfield on February 12th 1987, in Seattle, Washington, he’s a alt-country/rock singer-songwriter and guitarist with a voice to bring a tear to your eyes. With raw emotion and huge intensity he puts everything into his music and following a critically acclaimed debut album, Into The Wild Part I he is hit the touring circuit in the summer of 2011 but not before heading into the studio to record his follow up record, Into The Wild Part II. Quickly building an independent fanbase that his followed him passionately throughout his entire career so far.

Caulfield is the only son of Renée and Robert Caulfield and has an older sister, 26 year old Manhattan based photographer, Haley Caulfield. He has lived in Seattle all of his life and is of Irish and French descent. His great grandfather moved his family from Dublin to Seattle in the early 40’s and his mothers family moved from Calais, France to New York in 1962. Caulfield was brought up around music from an early age and his first memory’s of music was his mother playing Brigitte Bardot records but it was after hearing a collaboration between Brigitte Bardot & Serge Gainsbourg when he started to become obsessed with music.
His father was a more conventional rock fan and this affected Brandon’s music education, The Beatles, The Rolling Stones, The Eagles, Tom Petty, Van Morrison and Eric Clapton are all heavily embedded into Brandon’s memories of his childhood and have now became big influences on his own style. However, it was a passion for the music of Bruce Springsteen that was the driving force behind Caulfield’s interest in music turning into a lifelong passion.

He was always an outsider at school from a very early age and quickly came to resent the people around him, often isolating him in his bedroom for hours, his parents often tried to get him into therapy to figure out why he was so content on being isolated from the real world. And when he became a teenager, the pressure’s to fit in at school and be popular continued to fuel his resentment for his fellow teenagers, he continued to isolate himself and has stated that he only ever had one close friend. He would spend almost all of his free time in his room reading and scribbling down things on paper and writing down almost everything that popped into his head, it was during this period when he started to learn his craft as a songwriter and soon decided to take up guitar, his parents chose not to buy him a guitar, stating that school was more important than trying to be John Lennon.

He therefore decided to take matters into his own hands and stole an acoustic guitar from a record store during a trip to Los Angeles, claiming he found it on the street whenever asked by his parents about it. He dropped out of school at 16 with no grades and he took a job as a cleaner at a local shopping mall, he recalls that he’d often see former school students and says that the look that they gave him while cleaning the floors is the fuel he uses to become “a better person than they’ll ever be.”
He held down this job for only one year and at the age of 18 he decided to attempt to make it in music, playing various small clubs in the local area, often playing to maximum crowds of 15 people. He stated that although it was tough financially, the freedom of it was the thing he had been searching for all his life.
It was at this point where he roamed from city to city, from the age of 19 he rarely stayed in one place and never truly had a place that he called home up until moving to California later in his life. He travelled the length and breadth of the United States for approximately four years, playing guitar and singing to whomever would listen and making enough money to just scrape by.

His education in the form of formal qualifications is non existent but his education as a person is what makes him unique, his fondness for literacy and poetry is almost obsessive, often quoting Edgar Allan Poe and Jack Kerouac during his early performances, there was a time when he was prone to having self destructive periods in his life, often disappearing for months to isolate himself and was often searching for clarity in his life. As a performer his style is very recognizable for it’s intensity and his emotional vocals, he is shy and retiring at the best of times and struggles with huge self doubt which made performing always a troubling issue for him, but as the years have gone by he has became more comfortable with who he is as a musician and has grown into a popular figured in the music industry as well as with his peers.

He signed his first ever record deal with Cosmic Records in November 2010, a label that was run by legendary musician JR Rhythm, whom later became a close friend of Caulfield’s. While at Cosmic Records he released his debut album ‘Into The Wild Part I’ and the follow-up ‘Into The Wild Part II’ which helped him to slowly build a fanbase. He had minimal success during this period and it wasn’t until signing with Chaos Records in late 2011 that things started to really take shape.
It was the release of his third studio album ‘Tales From The Heartland’ in July 2012 that turned Caulfield into a bona-fide star in the music industry, his Americana influenced record found Caulfield in a position he never anticipated, as the record went on to sell in millions and the singles continually featuring in the top echelons of the singles charts, it was clear that Caulfield couldn’t put himself in the bracket of being just another indie musician.

He followed that record up with 2013’s ‘Some Roads Lead To Nowhere’ and continued to have similar success with two number one singles from the record, but he became inactive for the majority of this period. A regular thing for Caulfield is to take himself out of the whirlwind of the music industry for extended periods, nothing being heard from him often for months at a time, this became more common as he became a father for the first time in 2013 to twins, Caleb and Charlotte, giving him the opportunity to have as normal a family life as possible with his wife and children. But this hasn’t deterred the success of the musician, his most recent effort in June peaked at number two on the charts and a brief U.S tour during the summer ensued.

Caulfield now has his sights set on another new album in early 2015, and has recently released the first single titled ‘Wildflowers’ whether he can find the balance between his career and his family life will remain to be seen, but if history suggests it wouldn’t be wise to underestimate an underdog.


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ALBUMS
"Into The Wild Part I" (February 21, 2011) [#40]
"Into The Wild Part II" (May 15, 2011) [#12]
"Tales From The Heartlands" (July 29, 2012) [#3]
"Some Roads Lead To Nowhere" (December 22, 2013) [#3]
"Wildflowers" (December 6, 2015) [#1]
"Beyond Here Lies Nothin'" (June 2, 2018)

SINGLES
Until You're Nothing (February 6, 2011) [#5]
Follow My Ghost (April 17, 2011) [#8]
Patience & Grace (May 22, 2011) [#DNC]
Fireflies & Bedouins (March 11, 2012) [#5]
The Ballad Of A Vagabond (feat. Cristina Lake) (July 22, 2012) [#1]
My Disenchanted Society (August 12, 2012) [#6]
Wild Is The Wind (feat. Hannah Beth, Hayden & Isabel) (November 4, 2012) [#1]
Better Days Ahead (December 2, 2012) [#1]
Arizona (January 1, 2013) [#1]
Nightbirds Are Flyin' (August 11, 2013) [#1]
It Looks Like Heaven Has Another Angel Now (June 28, 2014) [#2]
Wildflowers (October 11, 2014) [#3]


E.P'S
Floored & Beaten (December 18, 2010) [#N/A]
Ashes Of Dreams We Let Die (March 25, 2012) [#4]

Edited by user 01 June 2018 22:27:15(UTC)  | Reason: Not specified

thanks 9 users thanked C4AJoh for this useful post.
snap_itshannah on 11/10/2014(UTC), AmyJayneXoX on 11/10/2014(UTC), RoseJapanFan on 11/10/2014(UTC), freestylechamp on 12/10/2014(UTC), Famouss7x7 on 12/10/2014(UTC), BrownSugar on 12/10/2014(UTC), Realms Of Darkness on 13/10/2014(UTC), Osprey037[Reported Failure] on 13/10/2014(UTC), Princess_Valentine on 16/10/2014(UTC)
Offline C4AJoh  
#2 Posted : 12 October 2014 22:49:16(UTC)
C4AJoh
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BRANDON CAULFIELD - “WILDFLOWERS” | ROLLING STONE | SINGLE REVIEW

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Rating: 3/5
By David Fricke
October 11, 2014


Brandon Caulfield is certainly not the easiest musician to predict, over the years he has continually surprised fans by springing new music onto them without any real warning or build-up and his latest effort proves that. The last we heard of Caulfield was back in June, when he released the final single “It Looks Like Heaven Has Another Angel Now” from his 2013 album and for all intents and purposes he just appeared to slope off back to his family life in Los Angeles. Some fans prefer that approach, it means that the focus is solely on the output of new music and nothing else, opinions aren’t polarized by magazine interviews or news stories to coincide with the release, instead fans are just given the song to digest and make their own opinion on it.
I suppose it is a complete contrast to the way that management of the major stars are dealt with. A new single will usually be announced with at least two weeks notice in order to build anticipation and put the ‘star’ back into the music picture in order for the song to sell well. Of course history suggests that the alternative genres work slightly differently, with promotion taking a backseat over the actual product and in the past it has fluctuated between working well and not working at all. With Caulfield it appears to work, at least history suggests that it works for him.

So here we have it, an unwritten, unspoken return from an artist from the old school of music. An artist that whether you like it or not is attempting to put himself on the same pathways of those that influenced him most, namely Bruce Springsteen and Tom Petty. And with his returning single, “Wildflowers” it’s very much more of the same, those two influences are certainly there, there is no getting away from that but they don’t quite have as big a connection to those artists, instead Caulfield’s latest effort finds himself finding a voice all his very own, which is interesting and the song certainly ponders interesting questions.
The main questions are in regards to the idea of growing older, or the battle against growing older. Sure it’s a topic touched upon many times before in the past, but it feels like the song is all Caulfield for once, lines like “A life unfulfilled is this life that we lead” and “We laughed at the thought of growing up/Never knowing it would pass us by so soon” are perhaps particularly worrying ones for the twenty-seven year old musician, it’s not a surprise that the father of two is pondering these questions and perhaps this is an indication of where things are going to go in the future with regards to his song lyrics.

The track is very much enveloped by the sound of a slide-guitar and backing vocals, they both combine beautifully to give Caulfield the platform to spill out his fears of growing older, his voice sounds as refined as ever too. The days of the quiet whisper appear to be distant memories as in parts he roars into action when needed, but the tenderness of his voice does remain for the majority, just with a little more urgency than he showed during his early years.
So as a whole, the song is an enjoyable four minutes, certainly not time wasted, however, if the next record is dedicated to this worry and fear of growing older then he’ll need to come up with something a little more interesting lyrically. The main issue that I have with the track is that I feel Caulfield is better in the passionate Americana state of mind that we saw on “Tales From The Heartlands”, where he was singing about the struggles in modern day America. My hope is that this is just one theme of a varying selection of songs to come from the next album. Overall, not bad ... But not ground breaking.
thanks 6 users thanked C4AJoh for this useful post.
RoseJapanFan on 12/10/2014(UTC), snap_itshannah on 12/10/2014(UTC), Realms Of Darkness on 13/10/2014(UTC), Osprey037[Reported Failure] on 13/10/2014(UTC), Famouss7x7 on 14/10/2014(UTC), Princess_Valentine on 16/10/2014(UTC)
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