Mandy Williams - I Don't Care [Buzz & Hype Dubstep Mix]

Lyrics

Stop acting like your still there stop crying ‘cause I don’t care I don’t
love you anymore you pushed me out the door you said you loved me and you lied
All those nights that I cried now all my feelings for you have died and you want
me back but


Now I don’t care if you’re all alone,
Now I don’t care to pick up the phone,
Now I don’t care if you’re all alone,
Now I don’t care to pick up the phone,
Now I don’t care to talk to you,
Now I don’t care what you’re gonna do, oh.


You had my heart and you tore it apart I’m healing the wound
Wont let you hurt me again but I’m not gonna cry no I’m not gonna cry
‘Cause I don’t care anymore, don’t want you there anymore so I don’t care

I don’t care if you’re all alone
No I don’t care to pick up the phone
Hey I don’t care to talk to you
No I don’t care what you’re gonna do
I don’t care if you’re all alone
No I don’t care to pick up the phone
Hey I don’t care to talk to you
No I don’t care what you’re gonna do

Stop acting like your still there stop crying ‘cause I don’t care I don’t
love you anymore you pushed me out the door you said you loved me and you lied
All those nights that I cried now all my feelings for you have died and you want
me back but now I don’t care.


Description

An echoing effect has been put on the lyrics of the first verse, which are played over a whistling sound. As the song approaches the chorus the drums kick in and the baseline shoots through the roof.
The chorus involves some very heavy drumming, with the words being sped up slightly. The first two lines of the chorus are repeated before the second ones come around.
The base turns down a lot, as a heavy piano-like sound starts to rise through the music; you can still hear the original music behind, but it has been shifted up a key, and the pace quickened too.
The second verse has that same echoing effect to it as the first verse did. As the second verse finishes, the music all dies down. Then the traditional Dubstep “wob” sounds kick in. The base goes crazy, and the drums step it up a gear.
The final chorus is played over the top of the ‘wob’ sounds, which are taking over the track. The chorus is repeated once, (making it a double chorus) before the track dies down to the whistling sound that was on at the beginning.
The first verse is repeated to finish the song off, with some added lyrics to help finish the track. Then one final ‘wob’ stops the song dead.

MattY - Lazarus (ft. Eric Quillington) [Buzz & Hype Dubstep Mix]

Description

Eric Quillington’s falsetto vocals open the song over a far more electronic piano riff; the guitar strums and then the drums and the bass kick in. A crazy 30 seconds of pure drum and bass played with the piano riff happens, which leads into MattY’s verse.
The song slows down, and then MattY starts to rap. The bass starts to get louder throughout his verse, until the chorus arrives and then all hell brakes loose. Eric’s vocals sound over an intense drum solo, with the sound of many other electronic instruments being played. This helps to create the sense of organised confusion that was portrayed in the original; it is just scaled up massively.
The chorus is repeated twice, and then the song breaks down; with the ‘wob’ sounds cutting into the music and staying for the most of the remainder of the song. The third repetition of the chorus comes around and MattY’s rapping cuts in under the chorus again.
The ‘wob’ sounds stop as a final piano riff plays the song out under MattY’s rapping of the chorus.

Victoria Black - Disco Chick [Buzz & Hype Dubstep Mix]

Lyrics

No more Mrs. Nice Girl
I'm livin' life for the thrills.
If you think I'm just the girl next door
I'll show you...

I can be a, I can be a Disco Chick
Rocking that club, showing off my tricks
No one else can do it like this
I can be a, I can be a Disco Chick

I can be a, I can be a, I can be a, I can be a...

Rollin' up in a Limousine
So hot, the flyest girl on the scene.
Glitter all over my body
So sexy, you want get at me.
All the guys in their Escalades
Looking at me, thinking "She's A-OK".
Flaunt it in the club
Sipping on a "Bud'".
I'll show you how it goes
Come on follow me, I'll take the ropes.

I can be a, I can be a, I can be a, I can be a...

Rocking that club, showing off my tricks

I can be a, I can be a, I can be a, I can be a...

I can be a, I can be a Disco Chick

At the bar, sipping on champagne
Work this song, till I feel the gain.
Check out my moves, that you wish you could do
Guy you better impress me or we are through.
Rocking me body, until I feel the heat
No rest for the wicked, take no back seat.
Clap your hands, throw them up
Gonna party like don't give a (huh!)
I'll show you how it goes
Come on follow me, I'll take the ropes.

No more Mrs. Nice Girl
I'm livin' life for the thrills.
If you think I'm just the girl next door
I'll show you...

I can be a, I can be a Disco Chick
Rocking that club, showing off my tricks
No one else can do it like this
I can be a, I can be a Disco Chick

Move my body, move my body
Dance till the dawn
Shake my booty, Shake my booty
You know you want it
Touch me, Touch me, Feel Me, Feel Me
Get a little closer
Hold me tight, hold me tight,
And we'll get freaky tonight.
Cos'
I can be a, I can be a, I can be a, I can be a,

I can be a, I can be a, I can be a, I can be a...
One sight of me, you'll want a lick
I can be a, I can be a Disco Chick

Description

Some sirens sound and then some drums can be heard. Victoria’s voice can be heard singing the pre-chorus section. It fades in towards the end of the first line with and almost echoing sound to it. As the pre-chorus section finishes a faster drum beat kicks in along with the bass line growing beneath the music.
The first chorus is heard now, and Victoria’s voice has been tuned to make it a lot higher than it really is. The beat is very quick and as the chorus comes to a close more sirens are heard.
After the first verse, the music slows down and Victoria’s voice echoes over the almost emptiness of the track. On the words ‘Disco Chick’ at the end of the section, it sounds like 3 people are saying it, and all of the music comes back in louder than before, ready for the second verse.
After the second verse finishes, the drop arrives. The Dubstep noises, such as the ‘wob’ sounds kick in now. They continue for the rest of the track except the last little bit of the chorus.
At that point, there is nothing except the sound of Victoria’s tuned voice.
Then the sirens sound.

Mandy Williams – Over You [Buzz & Hype Drum & Bass Mix]

Lyrics

I don’t need you I need someone new
I don’t wanna hear what you have to say
I don’t really care if your here or your there
Get out of my face I don’t care what you say

I’m so done with this it’s your time to quit
I don’t really know what your gonna do I don’t really care
To hear what you say you can go on and on all day you can scream at
Me but it won’t change what I say I’m over you and now you don’t know what to do

You were never there for me I don’t
Care what you think you can say what you want
But I never well miss you ‘cause I know all the things
You do I don’t really care there’s a lot of guys out there

I’m so done with this its your time to quit
I don’t really know what your gonna do I don’t really care
To hear what you say you can go on and on all day you can scream at
Me but it won’t change what I say I’m over you and now you don’t know what to do

And now that I see you begging on your knees
Don’t make a difference to me I don’t want to even hear
What you got to say I’m fine without you don’t care what you'll do
You can come crying to me and I’ll laugh in your face just like you done to me

I’m so done with this its your time to quit
I don’t really know what your gonna do I don’t really care
To hear what you say you can go on and on all day you can scream at
Me but it won’t change what I say I’m over you and now you don’t know what to do I’m over you

I’m over you

Description

The song stars with the drums already being fast and hard, smashing about on the symbols as well; they then calm down as the vocals come into action. The bass gets louder as the vocals start, helping to create the sense of powerfulness. This effect is necessary as the song is about someone admitting that they are over someone else, and that they feel good about it.
As the chorus comes around, the beat picks up again and gets louder, the drums are going mad and so is the bass. The chorus is played at a faster pace than in the original; it is also at a higher pitch too.
The remaining verses and chorus are much the same as the first two. But the final line “I’m over you” is played over the continual smashing of the drum-kit and with the bass line being higher than at any other point in the song so far. The song goes out to a distorted violin riff…