STEPHANIE FIERCE (Intro + "Hot Shot" Performance)




The crowd grows in angst of the performance they are about to witness as they would to any big celebrity hitting a stage. However, sooner then later a woman by the name of Stephanie Fierce will embrace the stage with her God given talent and a sense of anxiety struck the audience as they waited patiently for the performance to begin. At this point the stage lights weren’t presented fully which made the stage appear somewhat normal. But then, the sultry lights dim down in the room of 20,000 people and in addition to that a Michael Jackson inspired silhouette but that of a beautifully curved woman is seen. In addition the sound of dramatic light being turned on where heard and seen.

The following words are then spoken into a mic:

“Can I take yall back” - (Fierce shouted with honor, signaling the start of the “Hot Shot” performance)



As those words are heard the crowd goes madly insane and a breakout of screams is heard, as everyone is quickly taken away to the early days of Steph‘s music. After the mysterious introduction, mixed horns that follow the infectious beat of “Hot shot” are heard, and at this point the bright lights allow Stephanie Fierce to come in full view as Stephanie Fierce silhouette vanishes bringing the crowd forward to their feet, as the overwhelming sound of the song’s rhythm enters their ear drums.

Looking straight into the camera, Stephanie Fierce begins the song’s choreography with fury and desire in her face, showing that she’s really into the performance. Whilst singing the song’s first verse, she pulls out a cane and places it front of her as she begins the songs choreography moving her hips switching the cane from side to side in a forceful back and forth motion, throwing a fist each time. During so a wind machine that’s placed in front of her forces Steph’s long straight her into the air, giving her the signature fierce look while doing her choreography. Once finishing the first verse, she throws the cane out of her sight, as two horn players join in along side her to play the songs catchy but more lively sounding instrumentation as she transitions to the chorus. During so Steph fiercely does a Naomi strut towards the front of the stage, the horn players and a couple of back up dancers following after her and continues with Verse 2 as her back up dancers join in on the choreography.

[Verse 1:]
Ya hitin' just a little too hard at me
But you standing no where near too close to me
Ya sayin not quite enough to me
Ya dancing just a little too slow for me
No doubt ya playin' real cool homie
Got me thinkin' what is it you do for me
Nothin' (peasant') a little more than I should be
So take yo ass home and get right with

Stephanie Fierce: LET'S GO!

[Chorus:]
I'm about to shut you up, I’m a hot shot
Before the night is up, we can get
get riiiiiiiight get riiiiiiight, we can get right
I'm about to fill your cup, we can get right
Before the night is up, we can get riiiiiiight toniiiiiiight, we can get right



During verse 2, the choreography seems to pick up a little, as various intricate moves are done to match those of her back up dances all while singing the song hitting perfect notes. In additional to that, she seems very aware of the spaces in the stage and seems stress free about remembering anything, this being her first song ever and all, she has basically perfected it to the point it is second nature to her. After finishing Verse 2 and the chorus repeat, she then transitions into the more soulful and soft bridge, where more jazz instruments are introduced.


[Verse 2:]
Ya tricks talkin' bout I play too much
Can't a woman take advantage of what she wants
My hips movin' where they want
You over there looking like a cardboard
All I need is you here right by my side
Say whatever ya want, baby let's ride
Say whatever ya want but in the end I decide.
Just put ya name on the dotted line

[Chorus:]
I'm about to shut you up, I’m a hot shot
Before the night is up, we can get
get riiiiiiiight get riiiiiiight, we can get right.
I'm about to fill your cup, we can get right
Before the night is up, we can get riiiiiiight toniiiiiiight, we can get right

During the bridge of the song, Stephanie Fierce makes her way into the audience, who most are already singing along to the lyrics. She then warmly grabs onto one of the buzzing fans who was begging for their hand to be touched, and sings passionately to the fan.

[Bridge:]
So much I got to say
But so little time
And if tonight ain't long enough
Don't leave love behind (Let’s leave the haters behind)
Baby take my hand, I'll show you why

[Chorus x3:]
I'm about to shut you up, we can get right
Before the night is up, we can get riiiiiiight get riiiiiiight, we can get right.
I'm about to shut you cup, we can get right
Before the night is up, we can get riiiiiiight toniiiiiiight, I’m a hot shot



[Breakdown]

Crazy Fan (In the audience): YASSSSSSSS MOTHA!!! Show Tisha how to do it girl! YES MOTHA GIVE BIRTH TO THOSE NOTES MOTHA!!! SLAY HAR!!!!!!!!!! YESSSSSSSSSSSS!!!!!!!!! LET THE LORD USE YOU MOTHA!!!!

Joined again by two excited horn players, they including everyone in the audience begin to jump in joy as Stephanie Fierce begins her choreography, most cheering her on as this was the moment they were waiting for. With her legs shoulder-width apart, Steph begins the breakdown with her “I’m about to kill it” face speed up her dancing making it more forceful and complex, all while strutting her tall high heels. Winding her hips and arms back and forth she begins winding down to the floor, as her hair begins to fly in all direction and freely just tosses into the air almost as it were alive and in control. She continues bending her knees lower and lower, gyrating the hardest she possibly could crumping and getting crunk to the infectious beat. Once she reaches the floor, she quickly rises back up in zipper like motion and begins stomping to the floor in militant style giving the character mean mug as the back up dancers attempt to mimic the moves. The crowd simply continues to go insane as they enjoy the fierce choreography and as Steph finishes the song with the repetitive Outro.


Sounds Similar To:



STEPHANIE FIERCE ("Slap My Bass" Performance)




Once finishing, sweat is seen dropping down Stephanie Fierce face as she readies herself for the next song. She turns around facing her back to the audience and begins to walk seductively as three spotlights along with chairs resting alone are placed upon the stage. Two beautiful ladies are seen making their way to their designated spotlights as Stephanie Fierce sit down, as her head relaxes down. Lighting is then heard and seen on the large LCD screens which stand behind them. As soon as the medieval sound of a church organ is heard, the crowd goes insane, as Steph's soft and sultry vocals come present for the first verse.


“I just wanna show you how much I appreciate you,
Back up Singers: yes
Wanna show you how much I'm dedicated to you,
Back up Singers: yes
Wanna show you how much I will forever be good,
Back up Singers: yes
Wanna show you how much you got your girl feeling good,
Back up Singers: oh, yes
Wanna show you how much, how much you understood,
Back up Singers: oh, yes
Wanna show you how much I value what you say,
Back up Singers: oh, yes
Not only are you loyal, you're patient with me babe,
Back up Singers: Oh Yes
Wanna show you how much I really care about your heart,
Wanna show you how much I hate being apart,
Back up Singers: oh, yes
Show you, show you, show you, till you through with me,
I wanna keep it how it is so you can never say how it used to be!

During the Pre-chorus and Chorus, Steph along with the other ladies, begin to thrust their hips left and right on top of the chairs. Everyone in the audience begins to cheer some whistling as Stephanie Fiere sings the song giving a seductive, “I know I’m a bad bitch” look.

[Pre-Chorus:]
Back up Singers: Loving you is really all that's on my mind

And I can't help but to think about it day and night,
I wanna make that body rock
Sit back and watch!

The chair choreography progresses along with the chorus of the song, as Steph and the girl follow the beat’s rhythm and pace. The organ still very present gives the song an interesting appeal. When the song’s lyrics “Want you to be, slapping on my bass, slapping, slapping on my bass, Swirlin' on my bass, swirlin', swirlin' on my bass” Steph begins to grind on the chair as if she was making love to it, tossing her hair back and forth

[Chorus:]
Tonight I work for you, oh-oh
Tonight I'm gonna work for you, oh-oh
Tonight I'm gonna put my bossy on your body
Boy I like it when you watch me, ah
Tonight it's going down
Want you to be
slapping on my bass, slapping, slapping on my bass,
Swirlin' on my bass, swirlin', swirlin' on my bass
Baby let me put my body on your body
Promise not to tell nobody
'Cause I'm about to take you down



Once reaching Verse 2, Steph becomes more relaxed as she and the two other ladies leave the chair behind making their way back up to the front. Poles are now seen in front of the stage and all when the lyrics “That's why I'm backing this thing back, Pop-popping this thing back Drop, drop, drop-dropping this thing back” come up, Steph and the ladies begin to pop their butt to the floor, once again driving the audience crazy, some whistling in admiration of Fierce’s sexyness.

[Verse 2:]
You'll never need 2 'cause I will be your number 1
Them other chicks are superficial
Betta you know you know I'm the one
and that's why I'm all in to you
'Cause I can recognize that you know that
That's why I'm backing this thing back
Pop-popping this thing back
Drop, drop, drop-dropping this thing back
This is for the time you gave me flowers
For the world that is ours
For the mula, for the power of love
And no I won't never ever e-ever give you up
And I wanna say thank you in case I don't thank you enough
A woman in the street and a freak in the you know what
Sit back, sit back, it's the pre-game show
Daddy you know what's up!


This time in the pre-chorus Stephanie and the two ladies do a backbend seductively til the reach lower mid height. The choreography progresses along with the repeat of chorus, once again following the beat’s rhythm and pace. When the song’s lyrics “Want you to be, slapping on my bass, slapping, slapping on my bass, Swirlin' on my bass, swirlin', swirlin' on my bass” approach Steph begin tossing her hair back and forth as she did in the previous.

[Pre-Chorus:]
Loving you is really all that's on my mind
And I can't help but to think about it day and night,
I wanna make that body rock
Sit back and watch!

[Chorus:]
Tonight I work for you, oh-oh
Tonight I'm gonna work for you, oh-oh
Tonight I'm gonna put my body on your body
Boy I like it when you watch me, ah
Tonight it's going down
Want you to be
Slapping on my bass, slapping, slapping,
I'll be swirlin' on my bass, swirlin', swirlin' on you bass
I'm gonna put my body on your body
Promise not to tell nobody
'Cause it's about to go down!


[Bridge:]
I'm a take this time to show you how much you mean to me
'Cause you are all I need,
No money can emphasize
Or describe
The love that's in-between the lines
Boy, look into my eyes
While I'm grinding on you
This is beyond sex,
I'm high on you
If it's real then you know how I feel
Rocking on you babe, rocking, rocking on you babe
Swirling on you babe,
In my mind all I can think about is a frame for our future
And the pictures of the past and a chance to make this love last!

[Chorus:]
Tonight I work for you, oh-oh
Tonight I'm gonna work for you, oh-oh
Tonight I'm gonna put my body on your body
Boy I like it when you watch me, ah
Tonight it's going down
Want you to be
Slapping on my bass, slapping, slapping on my babe,
I'll be swirlin' on my bass, swirlin', swirlin' on my bass
I'm wanna put my body on your body
Promise not to tell nobody
'Cause it's about to go down, oh!


The song's outro definitely brings out Stephanie Fierce's even more aggressive side. Almost out of breath, Steph begins to force out the lyrics as she begins to to crump and gyrate her body towards the lyrics. She then shockingly begins to slap her booty as she bends down, moving the hair out of her face she then continues seductively as she sings "Now slap it, slap it, drop it, drop it for you baby". After the repetition is done, Steph pauses and leads out with a Mariah Carey flavored range moan into the mic. She begins to moan the words "yes" as an electric guitar goes off without control. A saxophonist joins in adding an addition to the song not heard on the CD version. Biting her lips, she begins to breath hard, almost as if she were taking in the sound that was being produced, then opening her mouth just a bit, she stares directly into the camera, her chest is seen going in and out for air in desperation as Stephanie raises one eyebrow and brings out a warm smile.

[Outro:]
Watch me pop it, pop it, p-p-p-p-pop this bossy for you baby
Now slap it, slap it, drop it, drop it on me baby
watch it, watch it, watch it, watch me throw this bossy baby
Wanna make that body rock
Sit back and watch!
Me pop it, pop it, p-p-p-p-pop it for you baby
Now slap it, slap it, drop it, drop it for you baby
Watch it, watch it, watch it, watch me throw it baby
Wanna make that body rock
Sit back and watch!

Yes
Yes
Yes
Oh, yes
Oh, yes
Yes
Yes
Oh, yes"


Sounds Similar To:




As the song's electric guitar ascends, the lights go completely dark. An awkward and creepy silence is then heard. Then, the sound of a heartbeat is then heard. Steph's silhouette is seen once more, but this time she's seen popping her chest to each of the heartbeats. As she faces her back to the audience the room is truck with shock, as a tall man by the name Dominic Brown makes his way into the stage, as a more lively electric guitar is heard. As Dominic Brown makes his way down to Steph, steph begins to bite her finger as she puts herself in position for the interlude's choreography. After a split jump into the air, the two then begin their seductive choreography as Brown's verse and vocals in the remix of the song are heard, leading out to a solo dance section where more complex choreography is showcased. Once both are finished, Dominic Brown is seen grinning, as Steph is seen grabbing on his shirt looking very evily into the camera whispering "I'm that bitch". Dominic and Steph then both then exit the room, Steph slapping her ass once more as her hips move left and right, as her long hair bounces against her back with attitude.


STEPHANIE FIERCE & DOMINIC BROWN ("SLAP MY BASS" Interlude)



"Slap your bass
I really wanna slap your bass
And show you what I'm about
Can I slap your bass?
Your body body oh
Your body body up and down
So don't stop girl get it
Quit playing wit it
Can't wait no more
I wanna slap your bass
I really wanna slap your bass
Slap your bass, yeah


Looks and Sounds Similar To: