The Energy

Studio album by mISTER_b
Recorded: January 2012 – November 2013
Release Date: December 22nd (USA, EUROPE, OCEANIA)
December 28th (ASIA, UK)
Label: Studio60
Producers: mISTER_b , Lilly Stuart, ElectroLightz, The Vibrant
Writers: mISTER_b , Lilly Stuart, ElectroLightz, The Vibrant
Executive Producer:mISTER_b

Genre: Electronic Dance
Length: 4:32
Writer (s): mISTER_b, Lilly Stuart, Electrolightz
Producer: mISTER_b
Voice: Isabel Merjos

Production and Songwriting

The opening track of the record is the hit single “Recovery”, it opens up the album with a very positive vibe presented on its Lyrics and melodies. The track was produced by mISTER_b, it was composed over a piano riff which is better heard in the introduction melody of the song. It later grows to a more house oriented beat but it’s not as hardcore as a house track is, so it fits more on a electronic dance vibe than a hardcore club house vibe.
The songs had two strophes, two pre-chorus and three chorus, in its two strophes the melodies are slower than what is presented on its choruses, it is formed of piano and synthesizers, the pre-chorus has a crescendo melody which gets faster as the chorus is about to be performed, this segment is composed of the same elements as the strophes but with some other additions of bass and some house beats.
The choruses are performed as the full form of the song, they also receive an extra drum sequence and make it sounds faster than any other part of the song. After the choruses there is a breakdown moment where the song comes in full shape with loud house beats and fast drum and bass sequences. It all sounds very uprising and soft in a way although it is heavy electronic oriented.
As the track goes reaching its end, there is addition of several other elements not always from electronic genre but also from other genres, such as a choir and violins, these elements brings the track’s climax where before the final chorus is performed, all melodies are sort of slowed down to just Isabel’s vocals and right after it, the track goes back to its full form melody presented on its breakdown moments, finishing it with the very first piano riffs used before as an introduction to the track itself.
Isabel’s vocals range is long and high, she delivers a more emotional driven performance, required by the empowering lyrics of the track. The strophes of the track are performed in low pitch, but the choruses are high and loud and that’s where Isabel shows her strength through her own voice. It defers from her previous work, probably because of the house elements the song bears and so the vocals are a little more elaborated than vocals performed on general pop songs.
The song was written by mISTER_b, Lilly Stuart, Electrolightz and its lyrics content are about encouraging people to get better from life struggles, by saying that hope and love can remember us of recovering from hard sufferings and depression, mISTER_b knows what he is talking about, he suffered quite a bit on his life, he lost almost every family member he ever had in his life, he even was married sometime ago and it tragically ended up due to drug abuse from the side of his former wife, so he is in his right to write such an empowering lyric. He received some help on the writing credits for Lilly Stuart and Electrolightz but their part were more involved with the composure of the melodies and notes of the song. The actual lyrics of it were most part written by mISTER_b alone.

Working with Isabel Merjos

Initial conversation of working with Isabel Merjos, started out when Isabel was making her last studio album and mISTER_b was starting out his career as a producer; he was then invited to the executive producers of Isabel’s management team to work on a song for her record at that time. He wrote a song but it ended up being recorded by another singer, he ended up producing a song on the record for Isabel and after it the talks of working together again remained for such a period of time till Isabel went too busy and mISTER_b decided to wait the right time to work on a song with her again.
It was in the mid of this year that production of mISTER_b debut album started out strongly, so the first name choose to be feature on the project was Isabel Merjos. The time was perfect, Isabel was pursuing her acting career, she had no intentions to release any music this year so it would be a cool experience for both of the artists to collaborate and give Isabel fans a treat for a lack of year without any music releases from her.
The recording process took over three days, mISTER_b had to travel to L.A. to meet Isabel so both of them could work on the song and made it sound as great as it did in the final cut. Isabel not only recorded the song alone, she also had to record the song with the Millennium Choir who borrowed their voices used in the final climax moment of the track.
mISTER_b is about compliments for Isabel, he said that she’s one of the sweetest girls to work with and that despite she’s such a huge singer in the business with probably one of the most loyal fan bases of the industry, she‘s still down to earth and complacent with the producers ideas which in a world full of egos it’s hard to contain some people’s complaints.




Gray sky is above us and
It pours all past hurts
Wait ‘till the healing begin
And your wounds will stop to hurt
Let forgiveness wash your soul
‘Cause there’s so much life to loose
While your expectations are low
Life will pass in front of you

While breath is in your lungs
Your voice can still be heard
As your heart’s about to burst
Let go off resentments
Let the pain remember your heart can still be cured
Let Love, show you don’t need to take any pill

Let the hope, light the way for your full recovery
Let Love be for your heart the only remedy

Walking on thin ice, climbing
Slowly One step at a time
Aiming for the top, be sure
Victory is a matter of time
For all the joy to come
It’s worth to start a fight
Life’s not always a bed of roses
But persistence brings the good vibes

While breath is in your lungs
Your voice can still be heard
As your heart’s about to burst
Let go off resentments

Let the hope, light the way for your full recovery
Let Love be for your heart the only remedy

Your full recovery
I’m your remedy
Your full recovery
I’m your remedy

Let the hope, light the way for your full recovery
Let Love be for your heart the only remedy

Genre: Electro House
Length: 3:59
Writer (s): mISTER_b, ElectroLightz
Producer: mISTER_b, Electrolightz, The Vibrant
Voice: Dominic Brown

Production and Songwriting

The third track of the album it’s the most intimate and dark song of it. It starts with a depressive piano note and this note accompany the first verse of the track sung emotionally by Dominic and his high notes. The song has a similar structure presented on the track who came before it, but there’s some differences, while the track before was more elaborated sonically, this track is minimalistic, it does not mix so many sound textures as the track before does. So we have a piano melody in its begging, an increasing synth beat on its chorus and a hardcore techno beat on its breakdown.
There are backing vocals added on the chorus of the song and Dominic delivers and emotional powerful performance on it. He rises his voice and reach high notes and his voice is louder than the beats accompanying it, there’s no drum or bass line in this sequence increasing the depressive feeling the song transmits to its listeners.
The Breakdown is a crazy fast minimal techno beat with some house influences, specially noticed on its drum sequence. In a second the song changes its tempo and turns into a really fast deafening techno minimal melody, half minute after it comes back to its slow down piano ballad and that cycle starts again.
The second verse remains equal to the first one, but in the chorus of the song there’s an addition to a drum sequence, it is still slow but it does improves and changes a little bit the whole aspect of the song. The breakdown is louder than the first one, some beats were raised to high pitch, but it is still the same idea as the first breakdown was.
Lyrically, it’s the darkest one of the whole album. It talks about being stuck in a relationship that doesn’t evolve and finding out that the other person you’re in love with is not what you expected to be, so you can understand this part as you may want to. In order to express the depression sung in the song, Dominic Brown evokes so much passion and sadness on his vocal performance and he does an awesome job.

Working with Dominic

The idea of working with Dominic, is another old story. mISTER_b is still hired to produce music with Dominic for his upcoming album, but while that doesn’t happen, it was a natural choice from mISTER_b’s management team to invite Dominic to sing one of the song of this project.
Initially mISTER_b was to given a different song for Dominic to sing, in respect of Dominic personality and ideals, but when Dominic arrived at the studio, mISTER_b was initially working on this song, and Dominic stayed the whole section where mISTER_b was writing and producing the sound of this track. Instead of listening the song mISTER_b initially did for Dominic, he decided to sing the same song mISTER_b was producing that day.
Overall the song took almost two weeks to be done, and Domic did around five sections to record his vocals and also all the additional backing vocal presented on the song.



I saw birds
Kissing dead flowers
I saw dirt
Build up after so many hours

Nothing significant has changed
We kept the same fake plans
But I was immerse in your conflicts
And I had already lost it

Lying beside you
I thought it was for truth
No one taught me to loose
But I’m learning to
Give me back my words
Things you shouldn’t have heard
Let me pour with the rain
Let me offer my pain

I saw the dark
Take over the sunny days
I saw the war
Kill me in many ways

You held my heart in your hands
I only had a memory to restrain
And I still offered my love for you
I was drowning into you

Lying beside you
I thought it was for truth
No one taught me to loose
But I’m learning to
Give me back my words
Things you shouldn’t have heard
Let me pour with the rain
Let me offer my pain

Genre: Tech House, Synth Pop
Length: 5:12
Writer (s): mISTER_b, Lilly Stuart
Producer (s): mISTER_b, The Vibrant, Electrolightz
Voice: Magie Lena

Production and Songwriting

Fifth track of the album and we have a very known partnership, mISTER_b invited his fairy Godmother to sing a song on his so long expected debut album. Well, the point here is that Magie did sung, but a few lines, this track if more of a club oriented track, it has five minutes of pure tech house beats with a few progressive house elements and believe me this influence is only perceived at the end of the track.
The track already starts with a tech house drum sequence and this sequence is basically the base sound of the whole track, it sets the tempo and the compass of the track, it is fast and repetitive. Almost one minute inside the track, finally some house beats are added to the main structure of the song, they also took the place the drums were before, so there is only the house beats and no drums. Seconds after that mellow sound, the drums are back with additional elements of tech house. Then the track has its first switch moment, where all the melodies and elements presented till that moment, come together in form of a breakdown and so it goes for another almost one minute.
Finally after two minutes and a half, Magie appears singing the chorus of the track with her thin and acute voice, additional effects to her voice includes echoes and backing vocals, she sounds a little breathy and low, melodies accompanying her consists of initially a slowdown synth beat which increases to a switch moment as introduction to another breakdown moment of the track, where all the beats come together and again the song goes back to its full speed form. But also Magie sings another verse of the track over the fast techno house beats till she sings sort of a pre-chorus for what seems to be the final chorus of the track.
So on its final seconds the track stops for a synth beat oriented slow down moment, this part of the track sets the end of it, but it didn’t end all of a sudden, the synth beat is switched to a drum house beat presented in the introduction part of the track and this sound goes until it ends subtly.
The track was produced by mISTER_b, The Vibrant, Electrolightz, and written by mISTER_b, Lilly Stuart. Overall it does not serve as a pop track but as a track ready to be mixed by DJs all around the world for clubs and parties, it definitely has a potential to become a hit among clubbers. Themes of the lyric are about being truth to its own vows and beliefs and never forget from where you came from!

Working with Magie Lena

mISTER_b works with Magie Lena for almost three years now, he started out producing music for her while she was still a ElectroDeath member, and by the way their last album released was almost entirely produced by him. Reports that mISTER_b was working with Magie again in the begging of this year, were confirmed when Magie released her very first single as a soloist, but it failed to reach the expectation build up around that release, so Magie decided to cancel all other released she had planned to.
But mISTER_b is still a name who’s expected to work with Magie in a near future, while that doesn’t happen, Magie agreed to sing a song for mISTER_b’s album and no other better themed song than the one mISTER_b wrote specially for her.
This track was one of the first, or actually the third song, more specifically, to be recorded for the project, it took overall two weeks to be recorded, produced and mastered, Magie did three recording vocal sessions, mISTER_b traveled to Brazil where Magie lives with her mom, and they recorded the track on Magie’s private studio.




You can blame me for
The person I am
But you can’t judge me for
How I should behave
You know I can’t be
Anything but me
Ohh You know I can’t be
Anything but me

I grew up in a small town
Trying to build a life
With my ancestors’ vows
Being truth to the inner person
I never gave up
On overcoming troubles

So can you accept me?
Just as the way I’m used to be

Where all my roots belong
I’ll know there is
A place where I call home
Keeping my feet on the ground
I’ll never break
With my own vows

You can blame me for
The person I am
But you can’t judge me for
How I should behave
You know I can’t be
Anything but me
You know I can’t be
Anything but me
No I’ll never become
Someone I’m not
Ohh, no I’ll never become
Someone you want

Ohh You know I’ll never be
Anything but me

Genre: Electro House, Progressive House, Complextro
Length: 4:03
Writer (s): mISTER_b, The Vibrant
Producer (s): mISTER_b, The Vibrant
Voice: Cinzia Ricci

Production and Songwriting

Keyboards, synthesizers and an electro house beat start this track with Cinzia Ricci singing instantly as the first beat of the track is played. Right after a few lines sung by Cinzia we already perceive the Complextro influence on the song’s melodies and tempo. Complextro is typified by glitch, intricate bass-lines and textures created by sharply cutting between instruments in quick succession, a variation of Electro House music something between house beats and dubstep. That’s exactly what we hear of this song in its first verse, there’s a loud heavy drum sequence mixed with a variety of bass glitches and synthesizers over Cinzia Ricci’s voice.
The chorus of the song follows the complextro structure on its first part but later it is influenced by an up-tempo progressive house beat, lighter than the whole context of the song, but still loud as its start. After the chorus an usual breakdown, but not a typical one, as seen before in the record so far. It is more evident the influence of complextro house beats, it almost feels as a dubstep song, but it’s not so hardcore as a regular dubstep song is.
mISTER_b plays and enjoys playing with complextro, he uses different pitches and bass beats, he also composed a driven drum sequence where he intercalates with some glitches over the bass and the progressive house beat. While Cinzia sings the song, the melodies accompany her intonation, she sort of works as an introduction to the heavy loud breakdown moments the song has.
The last verse of the track resumes to be exactly as the first verse of it, beats are slowed down, synths are louder and Cinzia’s sings it clear and high, then it goes to its complextro form, presented in the first segment of the track, so finally the final chorus comes and ends the track, but while it is performed the progressive house beats and the complextro played happily by mISTER_b are mixed together, giving a finish touch to the song, who subtly ends with Cinzia singing the final words of the chorus just like she started out the track.
Vocally, Cinzia is a pro for EDM tunes, she know how to control her voice over heavy beats and even manages to add some personality to what seems to be a more robotic singing style. Lyrically, the track is about freedom and that is about a person who finally discovered its own freedom and so everything for this person seems to work pretty fine, with open eyes and feeling the universe as an acceptance territory this person wants to reach heaven as a metaphor for happiness. Most of people might link this track as a cult to rave parties.
The track was originally written by The Vibrant, but later was remixed by mISTER_b who also re-wrote the whole track under The Vibrant supervision.

Working with Cinzia Ricci

Cinzia Ricci established herself as an EDM singer two years ago and since then she has been reference to electronic music in the world, for times being referred as the queen of EDM. She’s a longtime friend of mISTER_b, ever since she started to work with ElectroDetah on music she met mISTER_b and the wish for both of them to work together immediately was born.
Cinzia traveled to NY, to record the track with mISTER_b, they spent four days together working on her vocals and once the track was done mISTER_b sent the track for her via e-mail. Reports the connection between them was so good, that both agreed to meet up again to work on future music.





Suddenly the sky is out of clouds
My eyes are no longer locked out
I can see a new path in front of me

So, the universe becomes my home
In everywhere I go it welcomes my soul
Taking me on a ride till my mind is in peace

So ride as fast as you can
Run to a place like heaven
I just wanna get away

If believe is being a fool
Then I’m just a holy fool
Come and take me away

Never let the darkness embrace me
As the light is over, I’ll be away from here
I’ll find heaven and the stars are my atlas

Energy in me
Energy in me
Energy in me
Energy in me

Energy won’t fade, I’ll cross the seven seas
Air in my lungs, I'll swim in the deep
I’ll find surface and the stars are my atlas

So ride as fast as you can
Run to a place like heaven
I just wanna get away

If believe is being a fool
Then I’m just a holy fool
Come and take me away

Recorded: 2012
Genre: Dubstep, drumstep, rap rock
Length: 3:21
Writer (s): mISTER_b, Electrolightz, The Vibrant
Producer: mISTER_b, The Vibrant
Voice: Sonyae

Production and Songwriting

A dubstep track produced by mISTER_b and the newbies producer duo The Vibrant brings the new hip hop sensation voice Sonye. Written by mISTER_b, The Vibrant, and longtime ElectroDeath team producers the trio Electrolightz, a team who’s being working together for almost seven years now, nowadays they’re known as the ElectroDeath Team.
Different from the house oriented vibe presented on the record until now this song bring a new approach for mISTER_b, but also reminds us the old style he was used to produce, especially when he was making ElectroDeath’s last album “Bittersweet” where he used a lot of dubstep influences like the beats presented in this track. The song’s structure is something apart too, it does not have a regular tempo, but it does have a chorus and a rap on its end. Its base beats are composed of electric guitar riffs, drums and heavy loud bass, other elements are showed throughout the three minutes mainly being industrial electronic beats. Some critics claimed that the song bears some rap-metal influences widely known from bands such as Faith No More and Slipknot.
Sonyae might sound different from anything she has released up until now. She’s used to sing hip hop songs like her single “Alive” but in this particular song she pushed boundaries of her own style sounding a lot more aggressive and less pop than she would ever sound. Lyric is an expressively critic to society and it’s censored methods on several subjects, but none specific subject is revealed, so for listeners it can be bias, poverty, politic opinions and all of the things that people don’t like to talk about on certain areas.
Some lines determine the intensions of the lyrics such as “We talk things that might hurt you, we touch in the wound we’re in a riot!” meaning that they want to spit the true tea of some “forbidden” subjects and “For those who wants to change, come join the game, we’re ‘bout to gain” can be interpreted as a recruiting to all people in the world who wants to change, it also means that the winning is just a matter of time.
Vocals of the song were performed by Sonyae who does sing the song and even raps in the song too. She sounds confident and sometimes challenging, her tone is not perfect as she would sound on others songs, but it was done purposely so the song would sound aggressive and a little industrial than pop.

Working with Sonyae

Once mISTER_b was credited initially as a dubstep producer, it was expected some track oriented to his old root genre and this track is one of them. The idea of having Sonyae featured on the track came from Lilly Stuart who manages and produces mISTER_b, she convinced mISTER_b to create a rap over the sick dubstep beats he had composed and so they invited Sonyae to provide vocals for the track as one of her alter egos personality.
The recording process took three days but song was put on hold after Sonya provided her vocals, mISTER_b thought he needed to work on the sound of it to increase the hardcore feeling Sonyae had imposed with her riot vocal performance.
So this track was one of the last tracks to be completed, Sonyae was called back again to provide additional vocals for it, once it was almost finished.




Drop it
The fuck of what they’ll think ‘bout
Free it
Let’s make ‘em bitches cry ‘bout
Say it
Don’t let ‘em make you swallow this shout
Change it
See Imma about to turn the fuck around

Do you feel the masses pressure?
Do you feel them coming against us?
I don’t care the consequences
I just can’t stand the sameness
Time to make the revolution
Time to bring a damn solution
So do you handle the masses pressure?
Will you stand while they come against us?

We talk things that might hurt you, we touch in the wound we’re in a riot!
For those who wants to change, come join the game, we’re ‘bout to gain

(Rap)
Hear this out:
Comin’ for a cause, damn let’s blow all the fuck up
Don’t be sittin’ and waitin’ like stupid cunt
Can’t ya hear the sound
Boom!
The inner monster came out
If you fucking keep staring me then you’re my enemy
Step please!
Sick of all the shit they make us eat
It’s all about the vomit we’re gonna make ‘em swallow in

Drop it
The fuck of what they’ll think ‘bout
Free it
Let’s make ‘em bitches cry ‘bout
Say it
Don’t let ‘em make you swallow this shout
Change it
See Imma about to turn the fuck around

Fuck, you say, join the game!
We talk things that might hurt you, we touch in the wound we’re in a riot!
For those who wants to change, come join the game, we’re ‘bout to gain

Genre: Electro-House, Progressive House
Length: 5:32
Writer (s): mISTER_b
Producer: mISTER_b
Voice: Serenity Scott

Production and Songwriting

Drum and bass line sequence introduces this track, with an up-tempo beat and a switch composed of synthesizer and keyboards culminate into an electronic guitar riff. All of that happen in a half minute, till Serenity starts to melodically sing over that electronic guitar riff the first lines of the track. She sounds clean, high and on pitch. Not much alteration on the sound of the track till the chorus starts and some elements such as synth beats, bass and a progressive house drum begin to pound, building up to the first breakdown moment of the track.
The breakdown is fast and light at the same time, the progressive house beats are very up flirting and the melodic aspect of the beats are also very hopeful and empowering. There are some synth beats over the fast driven drums which gives the song a different look from its suspicious beginning. After one minute the breakdown approaches a switch composed of a ascending house beat to later slow down all melodies to that single electronic guitar riff and so Serenity starts to sing the song’s second strophe. The structure of this second verse is the same as before, but there are some subtle differences from the first strophe of the track which is additional backing vocal performed by Gemma Urie and a different switch to the second breakdown moment of the track which by the way it’s the climax of it, this switch is longer, it has a low key ascending house beat which leads to a drum alone sequence, but again it culminates into the biggest loud breakdown of the track with all elements of that progressive house influence together, drum, bass line, synthesizer and keyboards.
To end the track mISTER_b did what every DJ does with its most hardcore tracks, he ended up with an ascending house beat switch moment, where he can use it to mix with another track when he’ll be performing his set on clubs around the world. Serenity’s vocals are the most pop capable as they could ever be, she has her pitch perfect her falsettos on the chorus and her high notes in the pre-choruses of the track.
Lyrically the track is clearly an allusion of the habit that most clubbers have to wear sunglasses no matter what place they are when they’re going to an electronic music party. Even though it is in a inner underground club on in a open field such as is done on Tomorrowland and Dream Valley Festivals. mISTER_b gives a reason for the se of sunglasses on parties when they’re usually done at night, the massage is about connecting people wearing those sunglasses in one only energy. It was written and produced mISTER_b alone, the only track in the whole record he did alone, and it was also the last track to be included and recorded for the album once he composed and wrote this track after he played on Brazilian’s Dream Valley Festival last November.

Working with Serenity

mISTER_b decided to invite Serenity to perform the vocals for this track in the final stages of the production of this album. All other tracks were already completed but he took a while to compose and write this last one and immediately called Serenity’s management team and invites her to sing the track for him.
It as needed a pop singer to provide the required vocals for this track, he needed someone with total control of its pitch because they would only have one day to record the track and so they spent one day recording the track together. Later the track was sent to Gemma Urie so she could add some backing vocals and this recording process was made via phone between mISTER_b and Gemma once both didn’t have time to meet again.



I see in brown tones our auras
And our essence, learnt from our parents
We raise our hands
Connecting as a constellation
I see on their faces the same expression
The same feelings, I see through my lens

Put on your sunglasses
And see through its lens
Our own essence
Our own inheritance

And if you can’t see
It just like me
I’ll let you see
Through my sunglasses’ lens

Our souls were touched by this energy
You can fly if you believe
Just have faith
Don’t let it waste
I see people going beyond
Crossing the limits of their own souls
I see everything
Through my sunglasses

So open your eyes
See in black and white
Your own essence
Your own inheritance

And if you can’t see
It just like me
I’ll let you see
Through my sunglasses’ lens

My sunglasses’ lens
My sunglasses’ lens

Genre: Electronic House, Progressive House
Length: 5:49
Writer (s): mISTER_b, Electrolightz, Lilly Stuart
Producer: mISTER_b, Lilly Stuart
Voice: Amy Jayne

Production and Songwriting

Heavily influenced by progressive house, this track keeps the soft spot to the recorded started by previous two tracks. It is the final track of this album and there’s a meaning to it. The song starts with a subtle house beat without drums, till it breaks into a smooth and easy going progressive drum beat. Amy Jayne worked on her R&B influenced vocals to sound a little less groovy and a bit more robotized. There are echoes effects and backing ground supporting Amy’s vocals and she sounds gracefully but there are no high notes for her to raise her voice, so basically she sings the whole track in a single tone.
At the choruses of the track Amy loses her breathy vocals and incorporates a more strong and emphasized tone to her voice. She even vocalizes in a moment of the chorus but she’s supported by backing vocals in that particular moment. The chorus takes on a switch from the song’ former base beat, it has piano and its slower till it breaks into a hardcore EDM beat till finally the second verse of the song starts again.
Towards the end of the track, it again switches its structures to incorporate a new progressive house beat. Its tempo and melody is different from when the song started out, it almost could be used to become another song’s introduction but once it is the last track of mISTER_b’s album it ends suddenly.
Lyrical content is about keeping the good vibrations and to have hope that everything will be fine. It didn’t fit as a empowering song, it feels more of a love song, lines like ‘the waves will bring to me you back’ clearly reveals that the song is about love being chased but then in the chorus the line ‘whatever the reason you may say’ maybe refers to a break up, and after all mISTER_b’s is saying through Amy’s voice that he’s going to be ok and no matter what happened and he also says ‘I feel the energy conspiring on my behalf’, as if he is a true believer.
It was produced by mISTER_b’s, electrolightz and Lilly Stuart, members of ElectroDeath Team, writing credits belong to mISTER_b’s and Lilly Stuart.

Working with Amy Jayne

Amy Jayne was invited by Lilly Stuart to sing a song on mISTER_b’s and so it was accorded that the track would also appear on Amy’s last album too. She took three days to record the track in NY with mISTER_b.
The song took over one week to be produced and mastered and additional backing vocal belong to Gemma Urie in a section she recorded when she was still working with mISTER_b for this album. The track had to be released before the schedule due to the agreement from Amy’s management team to have the track on her album, so it was released as a b-side before the record was fully out.




I feel the energy surround
Conspiring on my behalf
The waves will bring to me you back
And I no longer have to worry
If you don’t remain, I’ll let the waves
Bring someone new

Whatever the time, whatever the day
You should know I’ll be ok
Whatever the reason you may say
I’ll be ok (Ohhhhh)
I just need to wait
Everything will be ok…

Whatever the time, whatever the day
You should know I’ll be ok
Whatever the reason you may say
I’ll be ok (Ohhhhh)
I just need to wait
Everything will be ok…

The sun lights my destiny
I’m safe as long as I follow it
Even if the road is painful
The waves will bring me back on track
And wind will blow up in my heart
I’ll fly away forever

Whatever the time, whatever the day


Whatever the time, whatever the day
You should know I’ll be ok
Whatever the reason you may say
I’ll be ok (Ohhhhh)
I just need to wait
Everything will be ok…

Whatever the time, whatever the day
You should know I’ll be ok
Whatever the reason you may say
I’ll be ok (Ohhhhh)
I just need to wait
Everything will be ok…