"You can either be at the top all alone, or in the bottom with the rest of people who are on the same mission as you. I've experienced both."- Stephanie Fierce

Andrew:
So nice to see you Stephanie Fierce. You’ve been kind of avoiding interviews, and press coverage, missy. You recently cancelled your interview with Rolling Stone magazine and MTV. Is the the busy tour to blame or are there other issues taking place? I mean you're literally touring every night and you're basically a single mother.

Oh boy, I'm not avoiding anything, but yeah, touring keeps me busy, plus a child! It's not easy man. Give me a break (laughs). the reality of it all is that there was a misunderstanding with my management team so I had to cancel, but those are private things I can't really speak of. there's no preference on my behalf. I honestly can’t really find the time do interviews as I use to. I’ve done billions of them anyways, so there is nothing missing here. But I do have something new to say today. - Stephanie Fierce


Andrew:
At the very beginning of your career, it seemed as though you were going to be the next Madonna! I’m just gonna throw it out there. (laughs) People from time to time, would say “she’s the next Madonna, she’s next Madonna”, which by the way I’m pretty sure you took as a compliment. However, things have obviously changed for you ever since. After your second album “Diary of a Pop Sinner”, you did a 180 degree turn musically and haven’t turned back ever since and we’re wondering…..what should people consider you now, a retired pop act or an experimental artist?


First of all, Madonna is a pop icon, but I’m in no shape or form like her ‘musically’, with maybe the exception of her ‘Ray of Light’ album, which is my personal favorite from hers. That’s the only thing that my music comes close to, in terms of sound, because I was inspired by it when I made “Free”. Unless you consider “controversies” outside lyrics a part of music, I think what people were referring to was the fact that I had a “I don’t care” attitude, especially at the beginning of my career. That might not seem like a big deal now, because everyone now has that attitude, and nowadays people want to be portrayed as the biggest bitches around. Madonna was not a mannequin artist; she was very verbal with her art, which is something that did influence me. Many pop acts had that “I don’t care” attitude, but they don’t have a message that goes a long with it. There’s a difference between releasing images for the hell of it, and releasing images that have a purpose. However, When people would say to me “you’re going to be the next Madonna”, I would tell them, “no, I’m going to be the next Stephanie Fierce”. - Stephanie Fierce

Andrew:
Ha clever!

That’s not a diss to Madonna. That’s just having pride in my work and what I do. Now on to the last bit of your question. There was a time in my career, when I didn’t want to be labeled as a pop act, because the definition it carried. I don’t know how many times I have to stress this, but I don’t mean to say that being a pop act is a bad thing, I personally enjoy pop music. You need pop music. Without pop music, there is no way to escape reality and there is no way for a specific group of people to feel important. But I felt as though the title was too narrow. Especially with the music I make. Certain artists want to place me in that category just to downsize me. However, everyone knows I’m not just a ‘pop act’ and those insecurities really are there within those people. I consider myself mainstream, but I don’t consider my music just pop music. Unless you go back to my first two albums, my music does not only contain catchy lyrics and addictive choruses. It’s much more complex, especially with my fourth and fifth album. I’ve evolved and some people just don’t want to accept that, that’s all. - Stephanie Fierce


Andrew:
Why do you think "Free" wasn't as appealing as you hoped it to be? What is your take on the commercial performance

I think it's pretty appealing. I've had amazing support and compliments from so many well respected artist. I just didn't want it to be one of those albums that is looked as a pop record, because it's not. Which is why there was hardly any promo for it, besides making music videos and performing the songs on tour. However if it were a pop record I would of promoted it. I've said this in the past. I feel like every record of mine is like getting a degree in the study of 'myself'. Free is "Newborn's" prodigy. It’s the dark/evil side of Newborn. I really dig deep in Human ethos and such, like perverseness. How sick our minds can be. I really go deep into myself. That kind of stuff is not something to add bullshit to. I'll leave it as it is.

Commercially the album has exceeded my exceptions. It's very interesting that people still bought the album in retail, despite it being available for free on my website for nearly a month before it was released on retail. - Stephanie fierce


Andrew:
Some singers do not consider releasing free music, what are your thoughts on that sort of decision being made? Do you think releasing music for free is a marketing strategy to keep a fan base?

Marketing strategy? Haha, people try to make the music industry sound like it’s some sort of secret corporation. I mean don’t get me wrong, this industry is full of people that are ‘out to get you’, but nothing is ever planned so detailed, at least from my understanding. Me personally, I want to be more direct with my fans. I don’t want them to feel like they are my investment. I think it’s important for artists and musicians to give the fans free music, at least from time to time, especially if you’re pretty settled in the money department. I think even with strict labels, there is always a way to give the fans free music. Not everything has to be a selfish investment. When you go “here, download my album, free, with no hassle” I think things go much smoother and people will pay attention more to the music, rather than the whole money spectacle. - Stephanie Fierce


Andrew:
In all honesty. What is your favorite song on "Free"? You can only pick one? Also, in contrast to all your previous albums, what is something distinctive from "Free", that you like most?

It's like asking a mother to pick her favorite child. It doesn't work for me sorry (laughs). Something distinctive from this album was the fact that I found myself singing in syllables. I've never really done that, because it breaks the rule of a pop song and allows me to be more flexible with the lyrics. - Stephanie Fierce


Andrew:
what is 'singing in syllables'?

Singing in syllables, is basically when you stretch out a note by slicing a word with syllables to somewhat break away from a melody. For example. If you sing the word "today". You don't just sing "today". You sing "To (pause) dayyyyy". Which allows you to be microscopic with the production of the song. Never really did that with my previous albums. -Stephanie Fierce


Andrew:
Many people wonder, will you ever go back to making a pop album? Meaning, another album in which appeals more to the mainstream audience

I think people will keep enjoying my more experimental vulnerable side, but I also feel that some of my fans miss the pop side of me. The one who appears on Tyra Banks out of nowhere. The one who dances on music videos. The one who writes catchy choruses and verses. And I really want to give my fans what they want. But I also want this for myself. I want to loosen up a bit. So I’m ready to start fresh with a new album in 2012. In fact, I’m ready to make another pop album. But of coarse, everything I do has depth, don't expect something generic. A lot of creative juices are flowing in my head (laughs). - Stephanie Fierce

NEXT SINGLE: ELECTRIC GUITAR VIRGIN
Written and produced by Stephanie Fierce
Genre: Alternative Rock, Minimal Trance, Classical Crossover



During her younger years, Stephanie Fierce never picked up a guitar. Steph's parents never introduced her to rock music, and were against it.

"I wish I would of had the appreciation I have for rock music today when I was younger. Growing up, my parents thought me that rock music is from the devil and should never be played. They always made fun of the rock artists and judged their appearance. Latinos are thought to not listen to it. During those times, we were thought that in order to have "Latino pride" we must listen to Latin music. It was part of the Hispanic movement. But I always had a heart for rock music and it's the reason why I was always felt like there was something missing."

After the release of “Dying in the Airwaves” and making her guitar playing debut, Stephanie Fierce was inspired to write a song about guitars and her new found love freedom with them. After a having a discussion and discussing guitars with legendary guitarist Ryan Ross Hernadez, Stephanie Fierce challenged herself to compose yet another guitar driven song.

“I didn’t want the song to be this typical “rock” song with a guitar solo. So I added a classical crossover section towards the end, where everything settles down. That was bound to happen, anyway. As I’ve said I put boundaries, I didn’t want the song to turn the song into something it was not meant to be or something that didn’t represent me. Very complex to put it all together, but it worked.”

The song’s lyric are simple word play with virginity and guitar playing.




"Electric Guitar Virgin", is the only song of two that does not include the “Fierce Atmosphere” in the instrumentation. The song features an electronica based composition. The elctronica based composition is made of amen-break like build up, that converted to a trance like appeal. A forceful instrumentation of a brawling guitar with driven bass, keyboards is heard. They sound a bit psychedelic. The song also pays homage to “Electric Club”, mimicking its heavy bass line. The song starts off with a static like beat classified in the dubstep genre, however that does not continue throughout the song. Once the chorus kicks in, the electric guitar dominates the overall sound leading up the guitar solo. The guitar solo mimics the chorus with emphasis and acts as a bridge. Due to Steph’s low experience with guitar solos, it’s composed to mimic the chorus. Once the guitar solo is finished, the track goes into this trance fusion like break, leading up to a classical music crossover section above a trip hop influenced beat. Stephanie Fierce arranged the beats with pre-recorded classical pieces. The classical crossover section features a striking violin that builds up to a non-stop 16 second vocal belt, making it the second vocal acrobatic done in “Free”. The song then proceeds with the trip–hop beat while slowly fading out. While slowly fading out, you can hear distinctive melancholic noise that echoes created by a guitar pedal.


Vocals are laid back through most of the song and the lyrics are purposely sung as if Stephanie was reading them out. She almost sounds as if she’s under control and the soprano side is more present. Stephanie Fierce’s vocal ranges from D3- E6 in her 16 second vocal belt, which is more than outstanding. Overall, “Electric Guitar Virgin” was recorded, edited, mixed by Stephanie Fierce in two weeks. It was the last song to be mixed and shipped for the album.


"Electric Guitar Virgin" (Lyric Taster)

She’s dress in black, with the pic and the spike
But they still say,
she a….Electric Guitar Virgin
She plays it hard, with the tongue out her mouth
But they still say…..
Electric Guitar Virgin